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CD
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WWSCD 098CD
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$16.00
PREORDER
RELEASE DATE: 2/14/2025
Following the success of the Tokyo Glow and Funk Tide sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of funk and boogie recorded in Japan for King Records in the '70s and '80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram's Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris. For Tokyo Bliss, Japanese Funk expert DJ Notoya has picked a diverse selection of great funk, boogie and city pop tracks recorded between 1974 and 1988 for King Records, one of the most venerable record labels in Japan. These tracks -- which are in demand on the Japanese groove scene -- are mostly new to international ears and showcase the breadth and quality of Nippon music recorded during the '70s and '80s. The selection kicks off with the group Buzz, a folk duet formed in the early '70s by Hiroshi Koide and Masakazu Togo who released a handful of albums for King during the '70s. The track "Garasumado" (Glass Window) is from the 1974 album Requiem The City which was produced by Nobuyuki Takahashi, the older brother of future YMO superstar Yukihiro Takahashi. At the time both were members of cult group Sadistic Mika Band. Next comes the synth boogie sound of singer Mami Ayukawa, who was active on the Japanese music scene in the mid-'80s, followed by drummer Johnny Yoshinaga's 1978 hard funk "The Rain" featuring great keyboards action from Hiroyuki Namba, one of Tatsuro Yamashita's key musicians. Keiko Toda's mid-tempo delight "Fade In" was released in 1983 and adds a touch of class to the ensemble with its languid rhythm and synth riffs. The rest of Tokyo Bliss alternate between the stylish funk-folk floater "Bokura no Date" by Koji Kobayashi from 1978 and the '80s funk bomb "Your Love's Away" by Kumiko Sawada, produced by prolific guitarist Kazuo Takeda with his group Creation, who is backing Sawada here. The selection closes with the superb Moog and Fender Rhodes-led space funk instrumental "Paper Machine" released in 1977 by Fujimaru Band and which ends the set on a perfect note.
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LP
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WWSLP 098LP
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$31.50
PREORDER
RELEASE DATE: 2/14/2025
LP version. Following the success of the Tokyo Glow and Funk Tide sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of funk and boogie recorded in Japan for King Records in the '70s and '80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram's Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris. For Tokyo Bliss, Japanese Funk expert DJ Notoya has picked a diverse selection of great funk, boogie and city pop tracks recorded between 1974 and 1988 for King Records, one of the most venerable record labels in Japan. These tracks -- which are in demand on the Japanese groove scene -- are mostly new to international ears and showcase the breadth and quality of Nippon music recorded during the '70s and '80s. The selection kicks off with the group Buzz, a folk duet formed in the early '70s by Hiroshi Koide and Masakazu Togo who released a handful of albums for King during the '70s. The track "Garasumado" (Glass Window) is from the 1974 album Requiem The City which was produced by Nobuyuki Takahashi, the older brother of future YMO superstar Yukihiro Takahashi. At the time both were members of cult group Sadistic Mika Band. Next comes the synth boogie sound of singer Mami Ayukawa, who was active on the Japanese music scene in the mid-'80s, followed by drummer Johnny Yoshinaga's 1978 hard funk "The Rain" featuring great keyboards action from Hiroyuki Namba, one of Tatsuro Yamashita's key musicians. Keiko Toda's mid-tempo delight "Fade In" was released in 1983 and adds a touch of class to the ensemble with its languid rhythm and synth riffs. The rest of Tokyo Bliss alternate between the stylish funk-folk floater "Bokura no Date" by Koji Kobayashi from 1978 and the '80s funk bomb "Your Love's Away" by Kumiko Sawada, produced by prolific guitarist Kazuo Takeda with his group Creation, who is backing Sawada here. The selection closes with the superb Moog and Fender Rhodes-led space funk instrumental "Paper Machine" released in 1977 by Fujimaru Band and which ends the set on a perfect note.
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CD
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BB 395CD
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$16.50
PREORDER
RELEASE DATE: 2/7/2025
Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with Ambientale, a journey into otherworldly sounds from the years 1983-2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic and enigmatic, Ambientale is a stranger you've only just met but can't stop thinking about. A familiar face to those who dwell in the deep end of the record pool, Charles is an obsessive digger, always on the track of an otherwise unheard sound. Through two trips to "Club Meduse" and star-crossed lovers "America Dream Reserve" and "Black Rain," he's also established himself as a mixtape auteur, weaving together the strange and beautiful into evocative compilations that transport listeners to distinct, imaginative realms. While his previous sets resembled Super-8 vignettes, populated by sun-kissed hedonists and drifting outsiders, Ambientale sees Charles leave the human world behind, exploring all the world's wilderness on the scale of an IMAX epic. Bals opens his sonic travelogue with the bamboo flutes and resonant gongs of esteemed Italian maestro Luigi Ceccarelli, joined by the clean lines and Eastern tonalities of the little-known RanōBoru. The journey deepens with a double-feature from Tokyo composer Akira Mitake, sliding from dreamy New Age soundscapes into the lush groove of floral fusion. Digital rhythms and snaking bass add a Latin accent to the bouzouki of Individual Sensitivity's "Greece Ambientale," while the lilting percussion and shimmering synths of Steve Shehan's smooth jazz rarity "Evening In The Sahara" segue perfectly into a masterpiece of French Balearic from Private Joke. A smoky saxophone rises like mist, echoing through the rainfall on Adriano Maria Vitali's "Velvet Blue Circles," before Masami Tsuchiya pulls listeners into the depths with the aquatic ambience of 1983's "Never Mind," its electronic palette the perfect vehicle to ensure that Akira Mitake's "Spectrum" surprises, rather than startles, with its booming machine drums a superb point of difference. From there, we wander once more into the digital undergrowth, exploring the mystical and magical sounds of the Italian library ensemble Gruppo Sound, along with a rare glimpse of Blue Note new age from Gil Mellé. Police sirens and street noise signal our return to the city, forming the backdrop to the tumbling drums and moody electronic stabs of "Ship Out" by Ferris Wheel, an utterly unknown piece rumored to be a promotional track from a Venezuelan garbage company -- the final twist of intrigue to this otherworldly voyage.
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LP
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BB 395LP
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$28.50
PREORDER
RELEASE DATE: 2/7/2025
LP version. Collector, seeker and storyteller Charles Bals brings his curatorial finesse to Hamburg's Bureau B with Ambientale, a journey into otherworldly sounds from the years 1983-2000. Drifting effortlessly between digital exoticism, mellow fusion, new age groove and library electronics, the pieces range from largely obscure to utterly un-google-able, and coalesce into a stunning soundtrack to tranquil seas, desert sand and starlit skies. Cinematic and enigmatic, Ambientale is a stranger you've only just met but can't stop thinking about. A familiar face to those who dwell in the deep end of the record pool, Charles is an obsessive digger, always on the track of an otherwise unheard sound. Through two trips to "Club Meduse" and star-crossed lovers "America Dream Reserve" and "Black Rain," he's also established himself as a mixtape auteur, weaving together the strange and beautiful into evocative compilations that transport listeners to distinct, imaginative realms. While his previous sets resembled Super-8 vignettes, populated by sun-kissed hedonists and drifting outsiders, Ambientale sees Charles leave the human world behind, exploring all the world's wilderness on the scale of an IMAX epic. Bals opens his sonic travelogue with the bamboo flutes and resonant gongs of esteemed Italian maestro Luigi Ceccarelli, joined by the clean lines and Eastern tonalities of the little-known RanōBoru. The journey deepens with a double-feature from Tokyo composer Akira Mitake, sliding from dreamy New Age soundscapes into the lush groove of floral fusion. Digital rhythms and snaking bass add a Latin accent to the bouzouki of Individual Sensitivity's "Greece Ambientale," while the lilting percussion and shimmering synths of Steve Shehan's smooth jazz rarity "Evening In The Sahara" segue perfectly into a masterpiece of French Balearic from Private Joke. A smoky saxophone rises like mist, echoing through the rainfall on Adriano Maria Vitali's "Velvet Blue Circles," before Masami Tsuchiya pulls listeners into the depths with the aquatic ambience of 1983's "Never Mind," its electronic palette the perfect vehicle to ensure that Akira Mitake's "Spectrum" surprises, rather than startles, with its booming machine drums a superb point of difference. From there, we wander once more into the digital undergrowth, exploring the mystical and magical sounds of the Italian library ensemble Gruppo Sound, along with a rare glimpse of Blue Note new age from Gil Mellé. Police sirens and street noise signal our return to the city, forming the backdrop to the tumbling drums and moody electronic stabs of "Ship Out" by Ferris Wheel, an utterly unknown piece rumored to be a promotional track from a Venezuelan garbage company -- the final twist of intrigue to this otherworldly voyage.
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3LP
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SYST 018LP
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$47.50
PREORDER
RELEASE DATE: 1/17/2025
Celebrating two decades of excellence, Marc Romboy's Systematic Recordings marks its 20th anniversary with a remarkable triple 12" vinyl release. Featuring an all-star lineup, this collection showcases the imprint's legacy while pushing the boundaries of electronic music. Kicking off the compilation is none other than Carl Cox with "Ice," an unexpected electro masterpiece. Combining warm strings and lush chords with a powerful 808-driven beat, the track transports you straight to the golden era of 1984. Label founder Marc Romboy collaborates with André Winter on "Blackout," a cutting-edge techno journey packed with innovative and otherworldly soundscapes. Systematic veterans Gui Boratto and Rodriguez Jr. bring their signature touch, while current tastemakers Bawrut, Ivory, and Skatman deliver tracks that resonate with today's audience. To top it off, acid and house legend Josh Wink contributes "Clark Park," a standout piece that reinforces his reputation as a true pioneer. This exclusive anniversary release is strictly limited, so don't miss your chance to own a piece of Systematic history. Also featuring Johannes Albert, Waltervelt & Kiko, Timo Maas, Cirillo & Francesco Mami, and The Upsetters.
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LP
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SHOUT 002LP
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$22.50
PREORDER
RELEASE DATE: 1/10/2025
Shout It Out Loud once again collects rare gems from obscure punk bands coming from the western world: US, UK, Canada, Australia and even New Zealand. Names mostly unknown to the major of collectors out there, but really enjoyable in the end. The compilation comes as something unbelievably surprising. 14 bands with rare and hard to find tracks. 14 numbers originally released on 7", covering a period comprised from 1979 to 1983. All songs have been especially remastered for this vinyl reissue, in order to give you back the original uncompromising feel. Indulge yourself in these rediscoveries and your epiphany will be enthralling. Original notes and covers reproduced on the back of the record. Featuring Strange Ways, Brukuku, Wozzo, Nu-Clear Energy, The Romford Stompers, Ovenmen, Mohawk Mike & Lepcis Magna, The Haemorrhoids, The Showbiz Kids, Gary Quazar, 3 Leez, The Steroids, Human Motives, and The Relatives.
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LP
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COSMR 033LP
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$23.50
PREORDER
RELEASE DATE: 1/10/2025
The dawn of psychedelic rock in Mexico, ten tracks introducing a worldwide-phenomena in the realm of the South American memory. A fascinating voyage led by cultish band La Revolución De Emiliano Zapata and several other nuggets-style combos. Originally released in 1971 the compilation was aptly titled La Onda, referring to a broader cultural and political movement. La Onda Chicana grew rapidly in a few years, culminating in a two days "Mexican Woodstock" known as "Avándaro," which attracted 300,000 people in September 1971. Featuring La Revolucion De Emiliano Zapata, Tinta Blanca, Javier Batiz, Rosario, La Tribu, La Tribu, La Quinta Vision, Los Clicks, Division Del Norte, and Poly Y Cia.
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LP
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TR 573LP
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$26.00
PREORDER
RELEASE DATE: 12/13/2024
LP version. Als die Welt noch unterging ("When the world was still ending") is a chronicle of the emergence and development of punk and new wave in German-speaking countries from 1979 - 1984. The apocalyptic sentiment around 1980 gave punk and new wave the necessary push. It led to an incredible outburst of activity and creativity. Against the backdrop of the nuclear armament, nobody believed that this world would have a great future anymore -- so suddenly everything was allowed, regardless of the consequences. This is the subject of a book by German author Frank Apunkt Schneider, in which he unfolds the history of the New German Wave and the German punk underground right through to the regional, cassette and fanzine scenes. To mark the 20th-anniversary of this book, a compilation curated by the author brings this period back to life. Featuring Autofick, Carambolage, Siluetes 61, Hans-A-Plast, Kosmonautentraum, Holger Hiller, Die Zwei, Family 5 Tagein, Rassemenschen helfen armen Menschen, Lustige Mutanten, Freiwillige Selbstkontrolle, Neues Deutschland, Die Egozentrischen 2, Male, Bärchen und die Milchbubis, Die Zimmermänner, The Wirtschaftswunder, Palais Schaumburg, Cretins, and Konstantin.
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2CD
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SOUL 032CD
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$10.00
PREORDER
RELEASE DATE: 12/13/2024
African American popular music was mostly known as Rhythm and Blues in 1962, the beginning of the era covered in this collection. But by the end of the period, 1965, the music was universally called Soul. The Chicago music industry exploded with the growth of soul music in this period, producing thousands of records and dozens and dozens of new labels. The two biggest black music labels Vee-Jay and Chess led in the creation of the Chicago soul brand with names familiar and not so familiar: the former with Etta James and Tony Adams and the latter with Gene Chandler and Moss Tolbert. And yet it's the smaller labels that make up the bulk of the Chicago story: Conlo with Jamo Thomas, Blue Rock with Otis Leaville, Ja-Wes with Sandra Stephens, and it's here that History Of Soul explores some of the finest sounds of the era in this collection. Featuring: Jamo Thomas, Tim, Billy Butler & 4 Enchanters, The Drew-vells, Chuck & Daylighters, Doris Smith, Otis Leaville, Jackie Beavers, Geraldine Taylor, Ricky Allen, The Amazers, Jerry Butler, Moss Tolbert, Sandra Stephens, The Radiants, The Ringleaders, The Vontastics, Huey & Baby Sitters, The Accents, Harvey & 7 Sounds, Roberta, Gene Chandler, Wales Wallace, Jeanette Nellis, The Vibrations, The Impressions, Henry Ford, Natalie, Gifts, Gerald Sims, Jackey Beaver, Bobby Starr, Chuck Bernard, Tony Adams, Al Perkins, The Sheppards, Sam Chatmon & Sparks, Ruby Stackhouse, Etta James, Jesse Fortune, Dee Clark, The Vondells, Wade Flemons, Edward St Ann, Sugar Pie DeSanto, The Kavetts, The Versalettes, and Donnie Elbert.
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12"
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LUV 048EP
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$16.00
PREORDER
RELEASE DATE: 12/13/2024
While autumn is slowly getting its grip on the city of Vienna, the Luv Shack bakery presents a delicious new batch of Disco Biscuits! This time with lots of surprising new flavors by Rising Seed ("Back For More"), B.Visible ("Suffering of KP"), Peletronic ("Drifting"), and Jon Gravy ("When You Leave") -- lots of sugar, '90s bubblegum!
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LP
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SDR 140LP
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LP version. "Sudden Death Records presents No Escape From What You Are. In 2023, the DOA guys came up with an album concept: 'Hey why don't we get a bunch of our punk rock pals to record DOA songs.' So Canada's Godfather of Punk, Joey Shithead Keithley contacted a bunch of his old friends and his favorite bands. As one can see form this sterling lineup, their reaction to covering DOA material was great! DOA, known as the Godfathers of Hardcore and more specifically Shithead himself inventing that term, have influenced bands and fans alike since 1978, having played over 4,500 shows in fifty different countries on five different continents. For a lot of the musicians involved here, DOA was one of their first two or three punk bands they ever saw in their lives. So what one has here are incredible versions of fifteen great sons that Shithead and friends wrote and DOA recorded and performed during the past forty-seven years. Features tracks from Rancid, Circle Jerks, Adolescents, Voivod, Slime, Fear, Toxic Reasons, Duff McKagan, Descendents, Propagandhi, War On Women, Dead Kennedys (featuring Joey Shithead), The Defects, and M.D.C."
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LP
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SDR 140R-LP
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LP version. Red color vinyl. "Sudden Death Records presents No Escape From What You Are. In 2023, the DOA guys came up with an album concept: 'Hey why don't we get a bunch of our punk rock pals to record DOA songs.' So Canada's Godfather of Punk, Joey Shithead Keithley contacted a bunch of his old friends and his favorite bands. As one can see form this sterling lineup, their reaction to covering DOA material was great! DOA, known as the Godfathers of Hardcore and more specifically Shithead himself inventing that term, have influenced bands and fans alike since 1978, having played over 4,500 shows in fifty different countries on five different continents. For a lot of the musicians involved here, DOA was one of their first two or three punk bands they ever saw in their lives. So what one has here are incredible versions of fifteen great sons that Shithead and friends wrote and DOA recorded and performed during the past forty-seven years. Features tracks from Rancid, Circle Jerks, Adolescents, Voivod, Slime, Fear, Toxic Reasons, Duff McKagan, Descendents, Propagandhi, War On Women, Dead Kennedys (featuring Joey Shithead), The Defects, and M.D.C."
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LP
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GT 001LP
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$32.00
PREORDER
RELEASE DATE: 12/6/2024
Ultimo Tango (Milan) and Glossy Mistakes (Madrid) present the release of Tribal Organic: Deep Dive into European Percussions 79-90, a compilation of otherworldly percussion-driven tracks, digging deep into this unknown realm of a past era. Compiled by Luca Fiore and Glossy Mario, the album takes listeners on a rhythmic journey through the diverse sounds of Europe from 1979 to 1990. This collaboration between two like-minded labels highlights forgotten recordings from across Europe, including works by artists from France, Spain, Germany, Italy, Austria, the Netherlands, and more. Opening with the ethereal "Rainforest" by British female duo Ova, this collection weaves together nine tracks from artists who were deeply influenced by global percussion traditions. With hints of jazz, new age, gamelan, and West African rhythms, these tracks feature instruments like congas, tablas, and shekeres, and reflect a shared fascination with the organic beat of the drum. From the industrial-meets-African grooves of Jean-Michel Bertrand's "Engines," to the hypnotic accordion and tribal chants of Cuco Pérez's "Calabó Bambú," the compilation offers a cross-cultural listening experience that is both meditative and invigorating. Despite creating these works in isolation during the last years of the Cold War, each artist was inspired by a borderless world of sound. The compilation pays homage to these nomadic musicians who respected the traditions they drew from, while contributing their own experimental takes on percussion-led music. In Tribal Organic, Glossy Mario and Luca Fiore have unearthed a treasure trove of rhythm-driven tracks that blur the lines between nations, genres, and cultures. This compilation offers more than just music; it's a listening experience that is both spiritual and grounded -- bold, exploratory, and deeply rooted in the beat of the Earth. Also featuring Terry Keegan, Van Kampen, Votu, Four Drummers Drumming, Χόρες, Angklunk, and Cipriani One Man Band.
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CD
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SDR 140CD
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$15.00
PREORDER
RELEASE DATE: 12/6/2024
"Sudden Death Records presents No Escape From What You Are. In 2023, the DOA guys came up with an album concept: 'Hey why don't we get a bunch of our punk rock pals to record DOA songs.' So Canada's Godfather of Punk, Joey Shithead Keithley contacted a bunch of his old friends and his favorite bands. As one can see form this sterling lineup, their reaction to covering DOA material was great! DOA, known as the Godfathers of Hardcore and more specifically Shithead himself inventing that term, have influenced bands and fans alike since 1978, having played over 4,500 shows in fifty different countries on five different continents. For a lot of the musicians involved here, DOA was one of their first two or three punk bands they ever saw in their lives. So what one has here are incredible versions of fifteen great sons that Shithead and friends wrote and DOA recorded and performed during the past forty-seven years. Features tracks from Rancid, Circle Jerks, Adolescents, Voivod, Slime, Fear, Toxic Reasons, Duff McKagan, Descendents, Propagandhi, War On Women, Dead Kennedys (featuring Joey Shithead), The Defects, and M.D.C."
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3CD BOX
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MBTBX 051CD
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"The Morgan Blue Town Story is a mixture of psych, pop, and rock tunes presented in a 3CD boxset, including a 24-page booklet with rare photos and sleeve notes. This 74-track showcases the very best artists from the Morgan Blue Town label, with many of the tracks previously unissued. A must CD boxset to have for anyone who appreciated Swinging London in the mid-Sixties, and its boom-time in Britpopland. Includes tracks from Pussy, The Smoke, Fickle Pickle, and more."
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LP
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COSMR 032LP
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$23.50
PREORDER
RELEASE DATE: 12/6/2024
Sought-after compilation exploring the Group Sound movement that swept Japan in the mid-1960s. Under the influence of the Beatles, dozens of Japanese bands devoted themselves to exporting a wide genre that ranged from surf-rock, garage fuzz, psych and wild R&B. Featuring the influential The Mops, the Filipino band (relocated to Hong Kong) D'Swooners, The Golden Cups, The Beavers, The Carnabeats, The Spiders, The Voltage, The Bunnys, and The Spiders.
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2LP
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CPT 645LP
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$36.50
PREORDER
RELEASE DATE: 12/6/2024
Chapter three of the successful compilation series. 14 modern kraut-electronic tracks (three of them exclusive and previously unreleased) inspired by Kraftwerk, Can, Neu!, Cluster, Klaus Schulze and many more. Curated and compiled by Compost artist Fred und Luna. As on Vol. 1 and 2, the collage on the cover was designed exclusively by the fantastic artist Norika Nienstedt from the Kraut metropolis of Düsseldorf. Rainer Buchmüller aka Fred und Luna sadly passed away in January 2024 after a long illness. He was a kind-hearted person, gifted artist, friend and companion. Compost mourns him deeply. A few days before his death, Rainer Buchmüller had along the track listing for Volume 3 (and already ideas for Volume 4), with the request to publish this posthumously, he would be very happy if his fans and all those who will be would receive a "sign of life' from him. It's not at all easy or basically impossible to describe the term "Kraut" stylistically. Nevertheless, Compost Records and Fred und Luna embark on a journey through time to discover the different elements of German electronic music from the 1970s and 1980s and their impact on the more recent German and global music scene. After the great success of Volumes 1 and 2, Volume 3 follows on stylistically from its predecessor and -- as this is one of the basic ideas of the series -- gradually expands the musical spectrum with new krauty elements. Black 2LP with black inner sleeves. Includes three exclusive and unreleased tracks. Featuring Fred und Luna, Philipp Johann Thimm, Niklas Wandt, Christian Nainggolan, Von Spar, Harmonious Thelonious, Benoit B, Salvage Art, Die Orangen, Puma & The Dolphin, Twoonky, Sula Bassana, and Organza Ray.
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2LP
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TOYT 173LP
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Toy Tonics continues with re-releasing the best tracks of Gomma Records. The German label that between 2001 and 2015 was one of the key imprints of the then so hyped indie dance, new wave funk, and proto disco sound. The most important releases on Gomma were by Peaches, WhoMadeWho, The Rammellzee, James Murphy of LCD Soundsystem, and Nick McCarthy of Franz Ferdinand. Their Gomma-tracks were on the first two parts of this Gomma Dancefloor Gems compilations series on Toy Tonics. Now here comes Vol. 3, a compilation with music by Dimitri from Paris who also did several EPs on Gomma in the 2000s. Also featuring legendary Belgian disco DJs The Glimmers and UK legend Justin Robertson aka The Deadstock 33's, and one of the first ever releases by Daniel Avery. You'll find remixes by Nicky Siano and Horse Meat Disco, who back then just started their party series and already were connected to Gomma records. There is an amazing flamenco disco track by Spanish producer Hugo Capablanca and T.Keeler that has been hammered by everybody from Optimo to Ivan Smagghe back then and Italian music diggers The Barking Dogs together with now fashion designer Marcelo Burlon are featured with an amazingly catchy electro pop track. Of course Munk, who was the founder of Gomma records, is also on the compilation. Munk is Mathias Modica and works under the name Kapote. He was the co-founder of Gomma and later Toy Tonics records. Toy Tonics actually starts as a mini sublabel of Gomma records in 2013 but took over later when Gomma closed in 2015. Gomma not only was a record label, but was also a home for cutting edge design, wild T-shirt styles, underground exhibitions with new artists from the Berlin scene and crazy poster and fanzine design.
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2LP
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STAUB 171LP
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$31.50
PREORDER
RELEASE DATE: 11/29/2024
Perpignan Burning: the Southern French capital of garage rock in search of the riff. Or as Lou Reed would put it: "You can't beat two guitars, bass, and drums." Content: 27 previously unreleased tracks on double LP. All tracks on this compilation were recorded in or around Perpignan, France, and go to the musical extremes of an extreme city. Whether garage punks or freakbeat mods, country punks or city rockers, whether pioneers or new to the scene: the only thing that counts is the riff. Pascal Comelade, infamous riff explorer since the 1970s, is the unlikely godfather of this bunch of punks and rockers. He opens the trip with his emblematic cover design and closes it with his own Riffifi orchestra to the ultimate riff of The Stooges' "I Wanna Be Your Dog." Featuring Le GORI, Johnny Tramuntana, Ghost Twist, The Hands, Henry, Yegg, Radiola, Jeune Senior Weekend, Monsieur Paul Et Les Solutions, No Cunt Act, Santa Maria Death Trip, The Madcap Dreams, The In-Fuzzed, Sea Urchin, L'Avant Garde, Dino Karper & The Shale, Lonely Nana, Lost Station, Minerves, Hugo Riché, Fuckboy, The Nothing, Lords of Wags, L'Impasse Humaniste, Les Crotales, and Mammoüth.
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CD
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KOMP 185CD
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"In recent years, the introductory texts for the Pop Ambient compilation series, which is released every year on Kompakt as the last release before the Christmas break, often began with the sentence 'Every year again.' 'Every year again,' a quiet, almost unnoticed maxim of self-evidentness. Because this is already the 25th issue to be published this year. 25 years in increasingly fast-moving times in the even faster-moving music business is an eternity that doesn't just feel like it. It is all the more remarkable how I, as someone who is always restless and often driven by this fast pace himself, pleasantly almost haven't realized how -- in pop-ambient contexts -- time does not pass (or passes differently) in the best sense. When compiling the 25th edition I was asked, among other things, what it was like that I was still doing this and whether I had a favorite track. In the spirit of bringing all the tracks together I don't have a favorite track, or all of them. But I have a favorite part (moment) that I played. In this case it was a broad chord in a change of key at minute 2:55 in the piece 'Circles' by Max Würden. A moment of majesty and familiarity that, at that moment, contains the entire Pop Ambient cosmos, that just works and doesn't explain anything -- and I said: 'that's the reason why I'm still doing this.' Pop Ambient is a statement without demands. Is promise without expectation. Is a path without a destination. Every year again." --Wolfgang Voigt, October 2024
As always, the indispensable final mastering by Jörg Burger ensures that everything is brought together and the sound is fine-tuned. And like every year, the 25th edition is of course wrapped in an abstract, floral magic creation by Veronika Unland. Over the years, the grace of her imagery has increasingly merged with the musical aura to form an unmistakable magical symbiosis. Featuring Leandro Fresco/Thore Pfeiffer, Pass Into Silence, Tamarma & Sebastian Mullaert, Sono Kollektiv, Nathalie Brum, Andrew Thomas, Julia Parr, Segensklang, Ümit Han, Max Würden, Blank Gloss, Hendrik Meyer, and Triola Zum.
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CD
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TWCD 1071CD
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Rhythms recorded in Jamaican. Overdubs recorded at Glass Studios, Wirral, England. Featuring Sprangy Rankin, Prince Hammer, Angie B, Junior English, Captain Duce, Pablo G, Singing Blossom, Winston Francis, Faithful, and AJ Franklin.
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5LP BOX
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MUNAMUSIK 003LP
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5LP Klapp-Box set on colored vinyl. Includes download code, 30 Jahre Muna poster, "10 Jahre Muna Musik" poster, and stickers. Presented on blue vinyl (LP1), green vinyl (LP2), yellow vinyl (LP3), pink vinyl (LP4), and gold vinyl (LP5). Limited to 300 copies, hand numbered. Featuring Super Flu, Marco Resmann, Sarah Wild, Sierra, Mathias Kaden, Douglas Greed, Kristin Velvet, Norman Weber, JuKa, Robag Wruhme, Thomas Stieler, Daniel Stefanik, TKR, Matthias Tanzmann, youANDme, Leeni & Danilo Kupfernagel, 2HundredEight, Matti, Luna City Express, Kenneth Avera, Click Click & Defex, Leah Raider, Langstrumpf, TimBrix, and Politone.
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LP
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KOM 496LP
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LP version. "In recent years, the introductory texts for the Pop Ambient compilation series, which is released every year on Kompakt as the last release before the Christmas break, often began with the sentence 'Every year again.' 'Every year again,' a quiet, almost unnoticed maxim of self-evidentness. Because this is already the 25th issue to be published this year. 25 years in increasingly fast-moving times in the even faster-moving music business is an eternity that doesn't just feel like it. It is all the more remarkable how I, as someone who is always restless and often driven by this fast pace himself, pleasantly almost haven't realized how -- in pop-ambient contexts -- time does not pass (or passes differently) in the best sense. When compiling the 25th edition I was asked, among other things, what it was like that I was still doing this and whether I had a favorite track. In the spirit of bringing all the tracks together I don't have a favorite track, or all of them. But I have a favorite part (moment) that I played. In this case it was a broad chord in a change of key at minute 2:55 in the piece 'Circles' by Max Würden. A moment of majesty and familiarity that, at that moment, contains the entire Pop Ambient cosmos, that just works and doesn't explain anything -- and I said: 'that's the reason why I'm still doing this.' Pop Ambient is a statement without demands. Is promise without expectation. Is a path without a destination. Every year again." --Wolfgang Voigt, October 2024
As always, the indispensable final mastering by Jörg Burger ensures that everything is brought together and the sound is fine-tuned. And like every year, the 25th edition is of course wrapped in an abstract, floral magic creation by Veronika Unland. Over the years, the grace of her imagery has increasingly merged with the musical aura to form an unmistakable magical symbiosis. Featuring Leandro Fresco/Thore Pfeiffer, Pass Into Silence, Tamarma & Sebastian Mullaert, Sono Kollektiv, Nathalie Brum, Andrew Thomas, Julia Parr, Segensklang, Ümit Han, Max Würden, Blank Gloss, Hendrik Meyer, and Triola Zum.
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CD
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TR 573CD
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Als die Welt noch unterging ("When the world was still ending") is a chronicle of the emergence and development of punk and new wave in German-speaking countries from 1979 - 1984. The apocalyptic sentiment around 1980 gave punk and new wave the necessary push. It led to an incredible outburst of activity and creativity. Against the backdrop of the nuclear armament, nobody believed that this world would have a great future anymore -- so suddenly everything was allowed, regardless of the consequences. This is the subject of a book by German author Frank Apunkt Schneider, in which he unfolds the history of the New German Wave and the German punk underground right through to the regional, cassette and fanzine scenes. To mark the 20th-anniversary of this book, a compilation curated by the author brings this period back to life. Featuring Autofick, Carambolage, Siluetes 61, Hans-A-Plast, Kosmonautentraum, Holger Hiller, Die Zwei, Family 5 Tagein, Rassemenschen helfen armen Menschen, Lustige Mutanten, Freiwillige Selbstkontrolle, Neues Deutschland, Die Egozentrischen 2, Male, Bärchen und die Milchbubis, Die Zimmermänner, The Wirtschaftswunder, Palais Schaumburg, Cretins, and Konstantin.
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2LP
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BR 188LP
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First compilation that brings together early electronic works by Peruvian composers. Features works produced in international laboratories of prestigious centers such as the Instituto Di Tella, Columbia-Princeton, and the Royal College of Music. A unique aspect is the exploration between native instruments and electronic music. This compilation offers a first overview of the early works of electronic and tape music created by Peruvians composers between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situated one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure that the academic music scene in Peru could not provide. César Bolaños traveled to Argentina, to the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) at the Instituto Di Tella, where he produced an extensive body of work, including "Intensidad y Altura" (1964) for magnetic tape, the first electronic work produced in the CLAEM electronic music laboratory. Similarly, Edgar Valcárcel was a CLAEM fellow and also spent time at the Columbia-Princeton Electronic Music Center in New York, where he composed, among other works, "Invención" (1967) for magnetic tape. Enrique Pinilla also passed through there, composing "Prisma" (1967) for magnetic tape. Alejandro Núñez Allauca was another CLAEM fellow, where he composed "Gravitación Humana" (1970). Soon, there emerged a notable interest in utilizing the sounds of native Peruvian instruments. This also marked a shift from an internationalist model of electroacoustic music towards an openness to other types of sonic experimentation. Composers such as Arturo Ruiz del Pozo, Luis David Aguilar, and Corina Bartra belong to this new period, which also marks the emergence of an initial scene of experimental music and free improvisation. Ruiz del Pozo pursued a Master's in Electronic and Film Music at the Royal College of Music in London, where he composed "Selvynas" (1978). Luis David Aguilar also became involved in music for film and television, composing, among other works, "Hombres de viento" (1978), the soundtrack for José Antonio Portugal's film. Corina Bartra traveled to London where she took courses in composition and electronic music, composing the mixed work "Aves en vuelo al sur" for voice, instruments, and tape in a private studio. This compilation has been curated by Luis Alvarado and is published in a limited edition of 300 copies in double vinyl format. It includes extensive notes and visual documentation.
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